BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Balades Sonores - ECPv6.17.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Balades Sonores X-ORIGINAL-URL:https://www.baladessonores.com X-WR-CALDESC:Évènements pour Balades Sonores REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Paris BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20250330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20251026T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20260329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20261025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20270328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20271031T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20260101 DTEND;VALUE=DATE:20260401 DTSTAMP:20260110T084248Z CREATED:20250630T064922Z LAST-MODIFIED:20260110T084248Z UID:495917-1767225600-1775001599@www.baladessonores.com SUMMARY:#SauvonsBaladesSonores_2026: un 'lieu-disquaire' essentiel fragilisé...nous avons besoin de VOUS DESCRIPTION:DONNER 5€ ou PLUS\n\n\n\n\n\n(S’)OFFRIR un VINYLE\n\n\n\n\n\nPRENDRE UN BON D’ACHAT\n\n\n \n\n \n\n \n\n \n\n \n\n \n \n\n\n \n \n\nVoir cette publication sur Instagram\n\n \n\n\n \n \n \n\n\n \n \n\n\n \n \n \n\n\n\n \n \n\n \nUne publication partagée par Radio Nova (@laradionova) \n\n\n \n \n \n \n\n Émilie Quinquis en showcase chez Balades Sonores (mai 2025)\n \n\n \n\n \n\n \n \n\n\n \n \n\nVoir cette publication sur Instagram\n\n \n\n\n \n \n \n\n\n \n \n\n\n \n \n \n\n\n\n \n \n\n \nUne publication partagée par Balades Sonores (@baladessonores) \n\n\n \n \n \n PAR ICI L’ ADHÉSION \n \n  \n \n  \n  \n\n \n\n \n\n \n \n\n\n \n \n\nVoir cette publication sur Instagram\n\n \n\n\n \n \n \n\n\n \n \n\n\n \n \n \n\n\n\n \n \n\n \nUne publication partagée par Balades Sonores (@baladessonores) URL:https://www.baladessonores.com/event/sauvonsbaladessonores-nous-sommes-en-danger-et-nous-avons-aujourdhui-besoin-de-vous/ LOCATION:Balades Sonores\, 8\, rue pierre picard\, Paris\, 75018\, France CATEGORIES:RDV ATTACH;FMTTYPE=image/jpeg:https://www.baladessonores.com/wp-content/uploads/2025/06/sauvonsbaladessonores1.jpg ORGANIZER;CN="Balades Sonores":MAILTO:showcase@baladessonores.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260129 DTEND;VALUE=DATE:20260427 DTSTAMP:20260223T084300Z CREATED:20260223T084300Z LAST-MODIFIED:20260223T084300Z UID:528869-1769644800-1777247999@www.baladessonores.com SUMMARY:Une sélection de VINYLES 'JAPON' en écoute libre @ Le 19M DESCRIPTION: Du 29 janvier au 26 avril 2026\, l’exposition investit  Galerie  19M à Paris/Aubervilliers. Après le succès de son édition japonaise\, elle revient en France dans une version repensée\, célébrant le dialogue créatif entre artisans et créateurs japonais et français. \n« Beyond our Horizons : de Tokyo à Paris » invite le public à un voyage au cœur de la matière\, de la créativité et de l’artisanat. Inspirée de la philosophie japonaise des cinq éléments — la terre (土\, do)\, l’eau (水\, sui)\, le feu (火\, ka)\, le vent (風\, fu) et l’air (空\, ku) — l’exposition explore les liens profonds qui unissent nature et création.  \nL’exposition célèbre la rencontre des Maisons d’art du 19M — Atelier Montex\, Desrues\, Goossens\, Lemarié et Atelier Lognon\, Lesage\, Lesage Intérieurs\, Massaro\, Maison Michel\, Paloma et Studio MTX — avec l’artisanat japonais et la création contemporaine.  \nAvec les artistes et artisans : Mathilde Albouy\, Zengoro Eiraku\, Julian Farade\, Yukio Fujita\, Pauline Guerrier\, Daisuke lgarashi\, Clara Imbert\, Akiko Ishigaki\, Koh Kado\, Yasuyuki Kanazawa\, Harumi Klossowska de Rola\, Nile Koetting\, konomad\, Matthew Lutz-Kinoy\, Thomas Mailaender\, Yoshiki Masuda\, Aurélie Mathigot\, Mélanie Matranga\, Shuji Nakagawa\, Mitsue Nakamura\, Simone Pheulpin\, Morihisa Suzuki\, Naoki Sutter-Shudo\, Thomas Takada\, Noritaka Tatehana\, Mikiya Toyoshima\, Xavier Veilhan\, Jeanne Vicérial\, Miyoko Yasumoto. \n \nÀ l’occasion de l’exposition « Beyond our Horizons : de Tokyo à Paris » au 19M\, découvrez les espaces de Galerie 19M ! \n=> Lisez et écoutez au Salon \, clin d’œil à ces cafés japonais\, avec plus de 100 pépites musicales en vinyles sélectionnées par @baladessonores et une riche sélection d’ouvrages autour du Japon. \n\n=> Découvrez Festival\, une installation immersive\, présentée à Tokyo en octobre 2025\, avec plus de 1500 objets collectés dans les ateliers des Maisons d’art du 19M. Pour « Beyond our Horizons : de Tokyo à Paris »\, retrouvez l’installation dans une version repensée pour Galerie 19M Paris/Aubervilliers. \n \n=>  Flânez au kiosque de la boutique @shopushopu qui déniche des objets singuliers et inattendus auprès d’artisans japonais et explorez la sélection de la @librairie7l et Shop de Galerie 19M\, où vous trouverez la collection des Petits livres du 19M\, dont celui dédié à l’exposition\, des tote-bags\, t-shirts\, cartes postales ou encore affiches pensés spécialement pour l’exposition. \n \nEt toujours\, profitez tout le week-end du Café 19M pour déjeuner ou prendre un café !\n____ \n❁ Exposition « Beyond our Horizons : de Tokyo à Paris »\n❁ 29 janvier — 26 avril 2026\n❁ Du mercredi au dimanche — 11h-18h30\n❁ Entrée gratuite sur réservation sur le19m.com\n❁  Galerie  19M\, 2 place Skanderbeg 75019 Paris \nPhotos : Mickaël Llorca URL:https://www.baladessonores.com/event/une-selection-de-vinyles-japon-en-ecoute-libre-le-19m/ LOCATION:Le 19M\, 2 place Skanderbeg\,\, Paris\,\, 75019\, France CATEGORIES:RDV ATTACH;FMTTYPE=image/png:https://www.baladessonores.com/wp-content/uploads/2026/02/capture-decran-2026-02-23-a-09.29.53.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20260325T190000 DTEND;TZID=Europe/Paris:20260325T190000 DTSTAMP:20260318T183819Z CREATED:20260318T182931Z LAST-MODIFIED:20260318T183819Z UID:532565-1774465200-1774465200@www.baladessonores.com SUMMARY:Showcase: CASSANDRA JENKINS (US / indie_ambient) @ Balades Sonores DESCRIPTION:Cassandra Jenkins est tout simplement l’une des meilleures autrices-compositrices-interprètes actuelles. Elle fait partie des grands songwriters américains\, au même titre que des artistes comme David Berman\, Adrianne Lenker\, Jeff Tweedy ou encore Sufjan Stevens. Ce sont des artistes liés par un sentiment d’immédiateté\, non seulement dans leur écriture – qui est précise\, évocatrice\, brutale parfois\, drôle à souhait – mais aussi par leur interprétation\, par la façon dont ils chantent avec une conviction totale et immersive qui vous emporte dans leurs chansons. Ce sont ces artistes et ces chansons qui se faufilent et vivent avec nous pour toujours\, et sur My Light\, My Destroyer\, Cassandra rejoint leurs rangs. Ce qui est le plus remarquable dans ce nouvel album\, c’est qu’il capture une artiste à un moment passionnant de son évolution. Beaucoup d’éléments du disque se rapprochent de ses prédécesseurs ; les enregistrements de terrain et les bruits récupérés sont omniprésents\, l’écriture narrative s’écrase dans des compositions enivrantes et tourbillonnantes. Elle chante avec un power-whisper (pensez à Sufjan Stevens\, Annie Lennox\, Margo Timmins ou Tweedy de l’ère YHF)\, ses voix sont proches et intimes mais subtilement conflictuelles. Mais tout semble plus grand ici\, plus affiné\, plus audacieux et plus riche que son travail précédent et que ses pairs. \nSon dernier album: \n« Like the night sky itself\, My Light\, My Destroyer is always expanding. Cassandra Jenkins’ third full-length\, out July 12 via Dead Oceans\, cracks open the promise of reaching the edge of the new with a wider sonic palette than ever before– encompassing guitar-driven indie rock\, new age\, sophistipop\, and jazz. At the center of it all is Jenkins’ curiosity towards the quarks and quasars that make up her universe\, as she blends field recordings with poetic lyricism that is at turns allusive\, humorous\, devastating and confessional– an alchemical gesture that further deepens the richness of My Light\, My Destroyer‘s 13 songs \nJenkins suffuses My Light\, My Destroyer with an easy confidence\, which betrays the simple truth that the road here was not without difficulty. Referring to the 2021 breakout An Overview on Phenomenal Nature as her “intended swan song\,” she explains that she was prepared to hang it up when it came to touring and releasing her own music. “I was channeling what I knew in that moment– feeling lost\,” she recalls. “When that record came out\, and people started to respond to what I had written\, my plans to quit were foiled in the most unexpected\, wonderful\, and gracious way. Ready or not\, it reinvigorated me.” \nWith her closest musical co-conspirators reassembled\, and producer\, engineer\, and mixer Andrew Lappin (L’Rain\, Slauson Malone 1) behind the board\, Jenkins began constructing My Light\, My Destroyer from the ashes of a false start she had made while “running on fumes” after two years of touring An Overview. “When we listened back in the control room the first day\, I could see a space on my record shelf start to open up\, because the songs immediately felt like they were finding their home.” That spark informed the blueprint for the rest of the album\, and its completion\, propelled by a newfound momentum. \nEven as My Light\, My Destroyer was developed over the course of a year\, some of the songs had been incubating in Jenkins’ notebooks for much longer. There were sonic reference points in her mind during the album’s creation: Tom Petty’s deceptively breezy folk-rock classicism\, the work of songwriters like Annie Lennox and Neil Young\, Robert Ashley’s Automatic Writing\, her “high school CD wallet” (Radiohead’s The Bends\, the Breeders\, PJ Harvey\, and Pavement)\, and David Bowie’s final gesture Blackstar; along with lyrical influences from writers like Anne Carson\, Maggie Nelson\, Rebecca Solnit\, and the ever present work of the late David Berman \nCassandra shares\, “I became even more interested in words\, translation\, and the malleability of language. I’m becoming better at letting myself explore ideas before self-editing; while I was writing\, I wasn’t afraid to laugh at my own jokes\, which makes the process of sharing these songs that much more free and fun.” \nAbove all and as ever\, Jenkins is drawing inspiration from the chattering electricity of the world around her\, squinting through radio static with the desire to gain a greater understanding. Deftly weaving field recording\, found sound\, and ancillary audio (like train sounds & flight attendants) she brings attention to stranger-than-fiction moments that bring the listener in. “I feel most energized when I’m out in the world\, in the mix of things\,” she says. “Coming back home to New York\, being with my close friends and community\, riding the subway\, and going to live shows made me want to channel the palpable feeling of the electricity in a room full of people— I need to be fully immersed in my environment. New York City is endlessly stimulating\, and I’m very impressionable.” \nJoining her in this immersion is a cast of friends pulled from across the modern indie rock spectrum\, as My Light\, My Destroyer far more represents a group effort than the largely solitary pursuits of its predecessor. Cassandra’s main collaborator and producer\, Andrew Lappin\, Palehound’s El Kempner\, Hand Habits’ Meg Duffy\, Isaac Eiger (formerly of Strange Ranger)\, Katie Von Schleicher\, Zoë Brecher (Hushpuppy)\, Daniel McDowell (Amen Dunes)\, producer Stephanie Marziano (Hayley Williams\, Bartees Strange)\, and Jenkins’ friend\, director/actor/journalist Hailey Benton Gates\, who jokingly suggested the title for album’s meditative coda “Hayley” when Jenkins’ didn’t come up with a follow-up to An Overview’s “Hailey.” \nJenkins bent towards natural & supernatural phenomena alike appears throughout (the Earth’s atmosphere\, lizards\, flowers\, the galaxy\, lab grown strawberries\, etc) only to bring us back to the core parts of ourselves. “The record poses questions about our instinct for companionship and looks for that heartbeat\, that connection\, everywhere\, ultimately finding it exists in a place somewhere between us and the other side of the glass.” \nNotions of “light” and “destruction” might seem like ideological opposites at first glance\, and My Light\, My Destroyer is indeed consumed with the theme of duality. Witness the crunch of “Petco\,” in which Jenkins’ “landlord pink” walls seem to cave in as she looks through a window at “two doves wrapped up in filthy and true love”—before the script flips\, (literally) caught in the “sideways gaze of a lizard” encased in the titular pet store. “Aurora\, IL” zooms farther out in terms of its mirrored perspectives. The song begins with Jenkins looking up at the sky\, before it trades places with “the oldest man in space up on a pleasure trip” referring to William Shatner\, Captain Kirke himself\, “crying on local news\, he couldn’t stop talking about the color blue.” Marooned in a hotel room\, Jenkins explains\, “I was spinning out\, and tapping into that character was my way of getting a little of what he’s having\, a small dose of the Overview Effect\, in order to come back down to earth.” \nThe pivotal point on My Light\, My Destroyer is the nocturnal “Betelgeuse\,” in which Jenkins\, in her words\, reaches the zenith of her exploration in “trying to maintain a sense of curiosity as a way of staying connected with myself and nature.” Soft piano and a dialogue between two sylvan-sounding horns accompany a field recording of Cassandra and her mother\, Sandra\, stargazing in the illuminated night. “She is in touch with curiosity like no one else\,” Jenkins says of her mother\, a life-long science teacher. “I caught her in one of her many teaching moments\, which reminded me that learning the night sky will take a lifetime\, or more– and that’s just from the vantage point of Earth.” \nEven amidst such widescreen wonder\, however\, there remain the earthly concerns of hardship. The lush “Only One\,” reminiscent of the city-street textures of legendary pop group the Blue Nile\, finds Jenkins face-to-face with Sisyphus himself—or\, at least\, a stick-figure drawing of the eternally burdened mythical figure. She explained this is her way of “poking fun at heartbreak’s myopic worldview–an inability to see anything but itself\, and a need to wallow in the illusion of permanence. Long after I saw that sign in the window\, Sisyphus reminded me that we always have the choice to see beauty in the world around us\, even when it’s burning.” \nCeaseless curiosity defines My Light\, My Destroyer\, and it’s under that context that Jenkins decodes opposing forces contained with the album title—emphasizing the power of a straight-ahead gaze into futures\, possibilities\, and great unknowns in spite of how they may shake our core beings. “Staying in touch with a sense of awe is in some ways a muscle\, a practice; but it’s also built into our wiring\, as a function of nature- to help us remember to pause and appreciate our time on Earth\, for all its chaos and beauty.” \n\n\nPress\n\n\nPitchfork Rising\, Pitchfork BNM\, Esquire \, NPR\, Paste\, FADER\, Pitchfork BNT \, Pitchfork \nStereogum\, Brooklyn Vegan\, Interview magazine\, New York Times T Magazine\, Bust Magazine\, Complex\, FADER \nThe Line of Best Fit\, We Listen For You\, Amy Poehler’s Smart Girls \nConsequence of Sound\, Impose Magazine\, Elle Magazine \n\n\n\n\n\n\n\nMy Light\, My Destroyer URL:https://www.baladessonores.com/event/showcase-cassandra-jenkins-us-indie_ambient-balades-sonores/ LOCATION:Balades Sonores\, 8\, rue pierre picard\, Paris\, 75018\, France CATEGORIES:Concert ATTACH;FMTTYPE=image/png:https://www.baladessonores.com/wp-content/uploads/2026/03/cassandra-25mars@baladessonores.png ORGANIZER;CN="Balades Sonores":MAILTO:showcase@baladessonores.com END:VEVENT END:VCALENDAR