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Disquaires (&+) à Paris résistants et aimants – aux pieds de la butte Montmartre –
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First time re-issued on vinyl.
For its third release, Ambient Sans turns to one of the most quietly beloved works in Japanese ambient music.
Recorded at Biwa Studio in 1989, White Morning is the work of Fumio Miyashita — composer, arranger, and multi-instrumentalist whose output through the late 1980s and early 1990s occupies a singular space between healing music, environmental sound, and meditative ambient. Where his contemporaries were mapping the exterior world, Miyashita turned inward: his music was designed for the body as much as the ear, conceived explicitly for rest, focus, and presence.
White Morning distills that vision into its purest form. Two extended pieces — 目覚め (See The Light) and 朝の祈り (Morning Prayer) — built from soft synthesizer layers, delicate acoustic textures, and a stillness that feels less composed than discovered. Music that doesn’t impose itself. Music that simply stays.
Originally released on CD in 1991 and circulated quietly ever since among devotees of kankyo ongaku and Japanese new age, White Morning has never appeared on vinyl — until now. Essential listening for anyone drawn to the environmental music of Hiroshi Yoshimura, the meditative depth of Satoshi Ashikawa, or the healing ambient of Klaus Wiese.
Music From Memory presents ‘Miraggi’, the debut release by Argento, a new project conceived by composer and producer David August. Written between Berlin and the Tuscan coast, the record unfolds as an imagined soundtrack to the Mediterranean, shaped by memory, longing and a profound connection to landscape.
The earliest sketches emerged during extended periods spent along Italy’s Tyrrhenian coast, where the shifting light, vegetation and ever-changing presence of the sea became lasting creative impulses. At the same time, an immersion in Italian library music of the 1970s and ‘80s quietly informed the project’s tonal language, while traces of jazz fusion and Balearic ambience surfaced not as direct references but as distant echoes.
Built around a dialogue between synthesizers, electronics, acoustic percussion and environmental recordings, ‘Miraggi’ balances rhythmic movement with spacious, cinematic composition. During the recording process, August was joined by drummer and percussionist Lorenzo Setti, whose performances and co-writing became an integral part of the album’s evolving rhythmic language. Across extended improvisations and recording sessions, August and Setti gradually shaped a musical language that feels both deeply personal and quietly transportive, allowing atmosphere and place to become as important as melody or rhythm.
The title ‘Miraggi’ (‘Mirages’) emerged organically, evoking a longing for something that remains just out of reach — something that cannot fully be grasped or lived. It suggests a suspended state between perception and imagination, akin to a hallucination or a dream. In this sense, ‘Miraggi’ reflects the project’s inner narrative: an imagined soundtrack shaped by desire, memory and the spiritual abundance of the Mediterranean Sea.
‘Miraggi’ will be released on vinyl and digitally via Music From Memory on September 10th 2026.
Iris is back! This time with a brand-new long-player under the name Irisplus with many featured guests.
Lazy, stumbling slacker songs with multilingual vocals, expanding the melodic, riff-driven sound of previous Iris releases like “Surrender”. Watch out for the full-band live version!
Flute by Falyakon: Music/Ghost
Vox by TRii: Fog, Spoof, EG Land
Extra guitar/percussion by TRii: Deeds
Vox by Falyakon: يا ليل ,قرش و عتيق
Vox by Employee: Fernando, Crossings
Vox by Mo Chan: 今日も明日も
All songs written, produced, mixed and recorded by Iris. Mastered by The Bastard and Maximilian Schweizer. Graphics by Non-CN. Pressed by Disk Media Service.
Después de llover” is about musical conversations between two people who have only recently met; they come from very different places, do not speak the same languages, and perhaps have little in common other than the resonance of their instruments. This encounter leads them to explore an imaginary world where they share sounds to build a place where they can go and play with the moisture of the plants growing in the water, listen to the pudus playing with the herons, rest on the floripondios, and perhaps stay there waiting for the rain to return.
These pieces were recorded on summer day in 2025 at Indrė’s house with kanklės, txompe, and violin.
Kyoko Koizumi’s “danceable kayōkyoku” that ignited the late ’80s club scene returns at last.
A long-awaited vinyl release featuring previously unreleased mixes.
Originally produced by Haruo Chikada in 1989 under the tagline “Bringing house music into the living room,” Fade Out is a seminal work from the dawn of Japan’s club culture, gaining strong support around the legendary Shibaura GOLD scene.
Today, Fade Out stands as a core title within the revival of “Japanese techno kayō,” a movement currently being rediscovered by European diggers and DJs. This highly anticipated 12-inch vinyl release includes the 2026 remastered original version, along with rare and previously unreleased remixes by an exceptional lineup of artists including Haruo Chikada, Soichi Terada, and Hiroshi Fujiwara. The record is scheduled for release in Autumn 2026 via U/M/A/A Inc., with European distribution handled by the renowned club music store/label Rush Hour.
The sleeve artwork is directed by Midori Kawano, one of Japan’s leading visual creators known for her distinctive work across advertising and art direction.
A true cultural artifact, this limited-edition vinyl captures one of the defining achievements of Kyoko Koizumi (Kyon2), an ever-evolving icon of Japanese culture, within the underground music scene. Don’t miss the chance to own this rare and collectible release.
Soichi Terada is a pioneering Japanese house music producer, composer, and founder of Far East Recording. Since the late 1980s, he has helped shape Japan’s electronic music scene while gaining international acclaim through his influential house releases and his celebrated soundtrack work for the Ape Escape video game series. His distinctive sound has earned him a global cult following and established him as one of the most influential figures in Japanese electronic music.
Hiroshi Fujiwara is widely regarded as the « Godfather of Japanese Street Culture. » A musician, producer, DJ, and founder of Fragment Design, he helped introduce hip-hop, club culture, and contemporary streetwear to Japan. Through influential collaborations with global brands such as Nike, Louis Vuitton, and Moncler, he has shaped music, fashion, and youth culture for more than four decades, inspiring generations of creators around the world.
Haruo Chikada is a legendary Japanese musician, producer, writer, and cultural critic whose influence spans more than five decades. Often regarded as one of the architects of modern Japanese pop culture, he pioneered Japanese-language rap and hip-hop through his BPM label and President BPM project while continuously shaping music, fashion, and youth culture through his work as an artist, producer, and commentator.
OMB (Daisuke Yamagishi) is a Japanese DJ, producer, and composer known for his atmospheric and progressive house productions. Active internationally since the late 1990s, his music has been championed by leading DJs including John Digweed, Paul Oakenfold, Deep Dish, Hernan Cattaneo, and Anthony Pappa, earning him recognition as one of Japan’s most internationally respected underground electronic artists.
« My go-to track is the Moody Strings remix of Koizumi’s Fade Out song. It’s a rare find that is now finally repressed along remixes by Japanese house legend Soichi Terada. »
-Antal (Rush Hour)
« Music to be heard with ears. Through and through. Over and over. No coherence or meaning. A slow rotating dial of information. In and out of focus between benches, beams, buffs, busses, butter, bars, bees, bumps, beens and boons. Luminous eyes around a small fire. Waiting for something to happen. These two movements. With 10 eyes divided onto 6 faces. Making small sounds as they roll clockwise. Then over the table… stumbling into everyday ghosts »
Valentina Magaletti (Moin), Al Wootton and Susumu Mukai (Vanishing Twin) create expansive rhythmic music that moves freely through dub, trance, free improvisation and cinematic psychedelia. For Basilikum, the trio recorded a series of improvisations in the Swiss Alps and London. Built on the foundation of vintage drum manchines and instinctive interplay they created compositions where no stylistic borders apply.
Dub techniques meet ritual percussion, hypnotic pulse and vast Popol Vuh-esque landscapes. Drawing equally from popular music, experimental traditions and spontaneous interaction, the trio treats playing, recording, editing and transformation as part of the same creative act. Sounds emerge, dissolve and reappear in new forms, creating a music that is both deeply physical and endlessly open.
With no fixed boundaries and no allegiance to genre, their work embraces movement, texture and collective energy. The result is immersive, transportive music that shifts between meditation and propulsion, intimacy and scale, always evolving in the moment
« Here is a tender journey through loss and rebirth — a raw exploration of grief, heartbreak, and the emptiness that follows. It unfolds the fragile moments after losing a beloved friend, the fragile attempts to mend a fractured love, and the sudden rupture that shakes the soul to its core. Amidst the turmoil, anxiety pulses and the body aches with memories too heavy to hold. Yet, slowly, the darkness gives way to light. Breath returns. Support is found in unexpected places. Memories surface through hypnotic whispers, guiding the way back to softness and hope. This is not a story of instant healing, but a delicate awakening — a reckoning with old patterns, a reclaiming of the self, a learning to love differently.
Intimate and universal, fragile yet fiercely alive. »
Hailing from Long Island’s North Shore, Julia Wolf is a once-in-a-generation artist, genre-bending storyteller, and a beacon of inspiration to music fans, tastemakers, and fellow artists alike.
Her journey is a vivid narrative of vulnerability, growth, experimentation, and the human experience. Her 2023 debut album, Good Thing We Stayed, melds Julia’s hauntingly beautiful vocals and emotive songwriting with trap-infused pop melodies.
Venturing into new realms, her singles « In My Room » and « Wishbone » revisit her rock roots, showcasing her versatile artistry and defiance of conventional boundaries.
Julia’s bond with her audience transcends music; her lyrics resonate so deeply that fans often immortalize them into tattoos.
Side A :
1. Kill You Off / 2. Pearl / 3. Fingernails / 4. Loser / 5. FYP / 6. Limewire
Side B :
1. Girls / 2. Jennifer’s Body / 3. In My Room / 4. Sunshine State / 5. You’ve Lost A Lot of Blood
Standard weight gold vinyl
White polylined inner sleeve
8pp poster
24pp fanzine
Marketing sticker
Download card
Shrinkwrap